John Canemaker: Paper Dreams - The Art & Artists of Disney Storyboards (hardbound edition, Hyperion 1999)

The storyboard helped bring Mickey Mouse to life and today's greatest live-action movie makers can't live without it. What began as a series of sketches fastened to corkboard has evolved into an elaborate multi-tiered process essential to filmmaking.
Canemaker provides an exciting, behind-the-scenes glimpse of the development of memorable stories, situations, and personalities for Disney's finest animated films. Illustrated with rare original sequential storyboard sketches, hundreds of them with many in color. Plus great period photos of the artists and animators at work creating and discussing the scenes. From the Disney archives. Excellent, wonderful work, much of which has never before been seen.
Artists with lots of contributions include Ken Anderson, Albert Hurter, Ward Kimball, Jack Kinney, Ted Sears, Joe Grant, Harry Reeves, Fred Smith, Frank Thomas, and Bill Peet. Most of the book deals with the early cartoons and features, up through the unfinished Alice in Wonderland, Bambi, Dalmatians and Lady and the Tramp. It also briefly touches on work for recent films like Hunchback, Mulan and Lion King. Beautifully and profusely illustrated, handsomely designed; the best book on behind-the-scenes Disney art since Before the Animation Begins.

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»Paper Dreams is an oversize book about the storyboards and artists working for Walt Disney Studios. The author John Canemaker has provided great depth through his research and writing compared to the other book on storyboard that I have, Walt Disney Animation Studios The Archive Series: Story.

Published in 1999, the book takes a close look at the storytelling department of Disney, from where storyboards were created — sketches on the floor of Webb Smith's office were pinned to the board for the first time. John Canemaker has loaded the book with lots of quotes from Walt Disney, the animators and story artists, providing insights into the storytelling process. The evolution of storyboards and their relevance are laid out to us, as each animated short gets progressively longer until full length movies were created.

There are chapters on profiles of story artists and their work. The more famous ones include Bill Peet, Joe Ranft, Joe Grant, Chris Sanders, among many others. We're introduced to their personal style of storytelling, their characteristics and interaction with other artists. There are many interesting stories like how Walt would criticise storyboards so as to improve them, a process which was called "plussing", or how different artists would defend their boards against critiques from others.

In addition to the commentary, the book's also filled with original storyboard scans from the library, photographs and paintings, all selected from their impressive archive from 1930s to the late 1990s.«